top of page

I am a creative researcher and facilitator who considers healing and wellbeing,

both personal and choral, in resonance with matter,

more-than-human life, and the cosmos.

 

I use drawing as a core method of digestion and translation of the world around me.

From these blueprints emerge text, sculpture, textile, and collage to create assemblies;

found and made objects simultaneously vibrate together and queer each other

to interrogate the complex negotiations involved in living and being on the planet.

 

The work is transdisciplinary with a strong theoretical component,

interweaving practices of making with research undertaken in ecocriticism

and speculative feminism.

 

Currently, I am experimenting with non-linearity and salvaging in relation

to the ritual of making. Older works are being reused to make anew, creating

cyclical and re-emergent threads of labour within my practice. I am interested in

how this labour is made known to an audience through the layers of time and

space that are held in-tact by found, salvaged, and reused materials.

 

Contemplating discarded matter as a resource for making has been a vital element

to my creative research practice, becoming a core approach to how I

establish methods and patterns of workflow that are conducive

to my, and more-than-human, wellbeing.

 

I am founder and co-editor of a fledgling online archive called

MUCK (Must Use Critical Knowledge),

which exists to support and platform critical art writing.
 

.

​

​

indiaboxall1992@gmail.com

​

​

​

​

​

​

​

​

CV

​

born 1992

London

​

​

Education

​

2020-22 Educational Studies for Adult, Youth and Community Contexts (Msc), 

University of Glasgow

2017-18 Masters of Research in Creative Practices, Glasgow School of Art

2015-16 The Drawing Year, Royal Drawing School 

2012-15 BA (Hons) Fine Art, Goldsmiths University

2010-12 Foundation Diploma, Sussex Coast College

​

 

Writing and Publications

​

DAISYWORLD, Issue 2, 2021

texture mag Issue 3: Art & Sustainability: perishable conglomerates, 2021

Call + Response 2: Leaking: The Worksite-as-Flesh, 2020

Whorling: FUEL, 2020

Best Practice Zine Issue #4, 2020

Arts Territory Exchange blog, 2020

Best Practice Zine Issue #3, 2019

Penny Thoughts Issue #21, 2019

Cultural Memory & U, 2018

Brenda Magazine, issue 1, 2018

FOULmouth zine, 2017

​

​

Residencies

​

Arts in Care, Luminate Scotland and Erskine Homes, 2022-23

fracture of one: a collaborative residency, Salt Space Cooperative, 2021

THOSE WHO POSSESS DIRT, New Glasgow Society 2021

Salt Space Coop Digital Resident, 2020

​

​

Screenings

​

o.proj Network, 2019

​

​

Grants

​

Visual Arts Scotland Micro Grant, 2022

Hope Scott Trust, 2021

Visual Arts Scotland Micro Grant, 2020

Curator Space Artist Bursary #6, 2020

The Sydney Perry Foundation bursary, 2018

The Sydney Perry Foundation bursary, 2016

​

​

Exhibitions

​

2021

fracture of one, Salt Space Cooperative, Glasgow

THOSE WHO POSSESS DIRT, New Glasgow Society, Glasgow

​

2020

The Pieces are in Flux, Salt Space Cooperative Gallery, Glasgow

Growing Under Glass, Welcome Home, Centre for Contemporary Art, Glasgow

​

2019

Reading Room x Anti-University Now, Reading Room, London

​

2018

Masters of Research in Creative Practices Degree Show, Glasgow School of Art

after-taste, The Flying Duck, Glasgow

Last Futures, Tramway, Glasgow

No Safe Haven, The Pipe Factory, Glasgow

Rooted, Where People Sleep Gallery, Glasgow

​

2016 

Best of the Drawing Year, Christies London

The Drawing Year Final Exhibition, Royal Drawing School, London

Open Studios, Drawing School Central, London

​

2015

Blue Tide, Electric Studios, St Leonards on Sea

BA Degree Show, Goldsmiths University

​

2014

Blue Tide, DIG, Lewisham

​

2013

They Do It With Ease, Underground Space, Hastings

2 Girlz 1 Pub, The Union Pub, London

MACHINE, Brick Lane Gallery, London

​

​

​

​

​

​

​

​

​

IMG_20200721_222109.png
IMG_20201006_165702.jpg
bottom of page